Simone Biles (Photo by Jamie Squire/Getty Images)
As long as Simone Biles has been a gymnastics star, millions of people have had no clue that she has an identical sister.
Adria Biles said she’s often mistaken for her sister when in public because they look so much alike.
Biles is set to take home gold for Team USA at the Paris Olympics, and it goes without saying she is heavily supported by all her family besides just her husband, Jonathan Owens.
The gymnast is incredibly close with her little sister Adria, who is frequently mistaken for her twin.
That is happening a lot during the Paris Olympics, as many people cannot believe just how much Adria Biles looks like a taller version of Simone Biles.
Check out some of the reactions online.
Adria said they look similar, with some believing the two are twins as she told ESPN that people asked for pictures and autographs from fans who think they’re meeting Simone Biles.
“Even in Brazil, people came up to me every day thinking I was her,” Adria wrote on ESPN. “They’d ask for autographs and take pictures. And many times they didn’t speak English so I couldn’t explain that I wasn’t her. They’d just say, ‘Simone! Simone!’ and finally, I decided it was easier to just let them take a picture.”
“We do look alike, I’ll give them that,” Adria wrote. “But I’m about 5-foot-2. Simone is 4-foot-8. I’m a good head taller than her. When we are side by side, people can definitely tell us apart.”
Adria Biles also has a background in gymnastics, but she stepped away from it in 2016, just as Simone Biles began to take off at the Olympics in Rio.
Simone won four gold medals and one bronze at the 2016 Summer Games.
According to MyMeetScores.com, Adria’s biggest moment came at Level 9 of gymnastics in 2015. Junior Olympics levels range from 1 to 10 before upgrading to elite status.
Once you reach elite status, you can go ahead and compete at the Olympic trials and other professional tournaments.
Simone Biles Shows Up To Paris Olympics With An Insane Amount of Medals
Simone made her way to the Paris Games with a ton of medals from two Olympics. She debuted at the 2016 Rio Olympics, where she starred for Team USA and promptly won four gold and one bronze medal.
She returned for the 2020 Tokyo Olympics but was forced to withdraw from the finals due to mental health and getting a case of the twisties. She was still able to take home one silver and one bronze at the Summer Games.
The four-time gold medalist is back for her third set of Olympic Games as she became the oldest American woman to make an Olympic gymnastics team since the 1950s.
She’s considered a favorite to win even more hardware at the Summer Games.
Elon Musk Invests $1 Billion in Mel Gibson’s New Un-Woke Production Studio
In a move that has surprised both Hollywood insiders and Wall Street analysts, tech billionaire Elon Musk has announced a substantial investment of $1 billion in a new production studio spearheaded by Mel Gibson. This venture, which aims to challenge the prevailing norms of the entertainment industry, has been dubbed the “Un-Woke Production Studio.”
Disrupting Hollywood
Elon Musk, known for his disruptive ventures in the technology and space sectors with companies like Tesla and SpaceX, has now set his sights on the entertainment industry. His investment in Mel Gibson’s studio represents a significant bet on the future of media content creation. The partnership seeks to produce films and television shows that diverge from the politically correct or “woke” trends that have dominated Hollywood in recent years.
A Vision for Creative Freedom
In a joint statement, Musk and Gibson outlined their vision for the new studio. They emphasized the importance of creative freedom and the need to provide a platform for diverse voices that feel stifled by the current Hollywood establishment. “Our goal is to create a space where artists can express themselves freely without fear of censorship or backlash,” Musk stated.
Mel Gibson, who has had a controversial career but remains a highly respected filmmaker, added, “We want to bring back the art of storytelling that resonates with a broader audience, not just a vocal minority. This studio will be a haven for filmmakers who want to tell stories that matter, without being constrained by an agenda.”
Industry Reactions
The announcement has elicited mixed reactions from the entertainment industry. Some see it as a bold and necessary move to diversify the types of stories being told in Hollywood. Others are skeptical, questioning whether the studio’s anti-woke stance will resonate with modern audiences.
Critics have pointed out Gibson’s past controversies, suggesting that this venture might struggle to gain widespread acceptance. However, supporters argue that the studio’s success will ultimately depend on the quality of its productions and the appeal of its storytelling.
Potential Impact
The Un-Woke Production Studio has the potential to significantly impact the entertainment industry. By providing a platform for voices and perspectives that feel marginalized by mainstream Hollywood, the studio could attract a significant audience segment that feels underserved by current offerings.
Moreover, Musk’s involvement brings a level of financial security and innovative thinking that could lead to groundbreaking advancements in film production technology. This partnership could pave the way for new distribution models, leveraging Musk’s expertise in technology to reach audiences in novel ways.
Looking Ahead
As the studio begins to take shape, all eyes will be on its first slate of projects. Success will depend on the ability to produce content that not only challenges the status quo but also captivates audiences. If Musk and Gibson can deliver on their promise of creative freedom and compelling storytelling, the Un-Woke Production Studio could very well become a major player in Hollywood.
In conclusion, Elon Musk’s $1 billion investment in Mel Gibson’s new production studio is a bold and controversial move that underscores the evolving landscape of the entertainment industry. Whether this venture will succeed remains to be seen, but it undoubtedly marks a significant moment in the ongoing conversation about the future of media and storytelling.
BREAKING: Whoopi Goldberg ‘MAD’ as Simone Biles turns down appearance on The View: ‘This is the WORST offer of my career’
In a recent episode of “The View,” a notable incident occurred when Simone Biles, the celebrated gymnast, declined an invitation to appear on the show. Whoopi Goldberg, a long-time host, expressed her frustration, labeling the situation as “the worst offer” of her career. The tension arose after Biles made a candid statement, dismissing the invitation as lacking appeal or relevance to her current endeavors.
Biles’ refusal highlights a broader issue regarding celebrity appearances on talk shows like “The View.” The gymnast, who has been open about her mental health struggles and is a prominent advocate for self-care, likely felt that the platform did not align with her message or brand. Her decision sparked a discussion among the hosts, with Goldberg taking it personally, possibly feeling that the rejection reflected poorly on the show’s reputation.
Goldberg’s reaction can be seen in the context of her own career and recent controversies surrounding “The View.” The show has faced criticism and fluctuating viewership, with rumors about its potential cancellation and Goldberg’s possible departure. These factors may have contributed to her heightened sensitivity to perceived slights from high-profile figures like Biles.
Moreover, Goldberg is currently engaged in several other projects, including the release of her new memoir “Bits and Pieces: My Mother, My Brother, and Me,” which explores personal stories and family memories. This project, alongside her work on “The View,” suggests a busy schedule that might also affect her emotional investment in the show’s success and its interactions with guests.
The incident reflects a broader trend of celebrities exercising greater control over their public appearances, choosing platforms that align with their personal and professional goals. For Biles, known for her principled stance on mental health and advocacy, appearing on “The View” may not have offered the substantive dialogue she seeks. Her decision to decline, therefore, can be seen as an assertion of her values and priorities.
This situation also raises questions about the role of talk shows in modern media. “The View,” known for its mix of political and cultural commentary, has sometimes struggled to balance serious discussions with entertainment. The reaction to Biles’ decline underscores the pressure these shows face to maintain relevance and appeal in a rapidly changing media landscape.
As for Goldberg, her reaction may reflect the challenges faced by long-standing media personalities in adapting to these changes. Her frustration suggests a personal stake in the show’s success and perhaps an anxiety about its future. With rumors of possible changes to the show’s lineup and format, the incident with Biles could be a reflection of broader uncertainties within the “The View” team.
In conclusion, the refusal of Simone Biles to appear on “The View” and the subsequent reaction from Whoopi Goldberg highlight the evolving dynamics of celebrity media engagements. It underscores the need for shows like “The View” to adapt to the changing priorities of guests and audiences. As both Biles and Goldberg navigate their respective careers, this incident serves as a reminder of the complexities involved in media appearances and the importance of alignment between personal values and public platforms.
