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Wesley Snipes FINALLY Reveals Why Hollywood BLACKLISTED Him – “If You dont wear the dress, You CAN’T have success” | HO

Wesley Snipes FINALLY Reveals Why Hollywood BLACKLISTED Him – “If You dont wear the  dress, You CAN’T have success” | HO

Back in the day, Wesley Snipes was a top dog in the industry, raking in almost ten million dollars for a movie. However, somewhere along the way, things went seriously wrong for the actor. Directors didn’t want to cast him, studios didn’t return his calls and co-stars had nothing nice to say about him in interviews.

From all angles, it looks like Wesley was a bag egg to begin with. However, this is where Snipes turns the tables. According to him, the downfall of his career wasn’t a him problem but a them problem. In his words, Snipes was given the boot simply because he stepped on the wrong toes. And guess what? His grievances are shared by many other black actors in the industry. Just what’s the scoop here? Was Wesley Snipes really blacklisted by Hollywood? And if so, why? Let’s find out.

The notion that my situation was labeled as the biggest trial in history had me questioning my significance. There were rumors circulating during the filming of  Blade Trinity, the third installment of the Blade series, that Wesley Snipes had a physical altercation with the director. However, I didn’t feel that was where our focus should be. I didn’t want to contribute to the negative portrayal of Black individuals as drug dealers and degenerates. I felt it was important not to perpetuate harmful stereotypes.

Wesley Snipes was once a prominent figure in the industry, earning nearly $10 million per movie. However, his career took a turn for the worse, with directors and studios avoiding him, and co-stars speaking negatively about him. Snipes attributes this downfall to stepping on the wrong toes, rather than any inherent flaws on his part. He believes he was blacklisted because he challenged certain individuals in the industry.

In 1991, Snipes encountered trouble with the law when he was wrongfully detained by police in Los Angeles. He was accused of driving a stolen vehicle, which was actually a leased car he had permission to use. Despite the incident being resolved, it left a lasting impact on Snipes, who felt racially discriminated against.

In 2005, Snipes sued New Line Cinema and director David S. Goyer over issues during the filming of  Blade Trinity. He claimed he was forced to work in unbearable conditions, with a lack of approval over the script and racist remarks made by Goyer. Snipes felt that the studio was attempting to diminish his role in the Blade franchise. However, the studio painted Snipes as difficult to work with, tarnishing his reputation further.

Despite these challenges, Snipes remains resilient. He acknowledges the struggles faced by African-Americans in Hollywood, where their voices are often silenced or discredited. Snipes refuses to let these setbacks define him, emphasizing the importance of standing up for oneself in the face of adversity.

Wesley Snipes making "Blade-killer" movie to rival MCU's 'Blade' reboot
The title that significantly advanced Wesley’s career in the past was his portrayal of the iconic character  Nino Brown, a New York drug kingpin, in the film “New Jack City.” Given the immense success of the original film, one might expect Wesley to eagerly sign on for a reboot. However, to the surprise of fans, Wesley distanced himself from the project. In an interview with Shadow and Act’s Brook Obie while promoting his film “Dolemite Is My Name,” Snipes made it clear that he wanted no involvement in the reboot, stating, “I’m not associated with it. I have nothing to do with it at all.”

He elaborated on his decision, expressing concerns about perpetuating negative stereotypes of black actors in the film industry. Wesley believed that recreating the drug culture depicted in the original film would contribute to these harmful stereotypes, and he did not want to be a part of it. While his refusal to participate may have clashed with the desires of studio executives pushing for the reboot, Wesley’s stance resonated with others who have criticized the portrayal of black characters in Hollywood.

Some have accused Wesley of inconsistency, pointing out instances where he seemed to perpetuate negative stereotypes himself. For example, in a 1997 interview with Ebony magazine, Wesley made controversial remarks about dating and relationships within the black community, sparking backlash from black women.

Despite facing criticism and obstacles, Wesley remains steadfast in his convictions. His refusal to compromise his principles, even at the cost of his career, has earned him both admiration and criticism. Whether viewed as a victim of industry biases or as someone who dug his own career grave, Wesley’s journey continues to spark discussions about representation and integrity in Hollywood.

 

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